DANIEL ABRAHAMS

Hi

I do philosophy.

774964_10100398399072671_157043362_o.jpg
1011434_10100741187057801_1637068719_n.j

ABOUT DANIEL ABRAHAMS

Philosophy Guy From Toronto

I follow an interest in how mass art mediates our relationship with each other and the world at large. Right now that is centred around satire and commemoration. This leads me into the philosophical areas of aesthetics, humour, social epistemology, language, and ethics.

 

PUBLICATIONS

THE IMPORTANCE OF HISTORY TO THE ERASING HISTORY DEFENCE

Journal of Applied Philosophy

A paper about commemorative monuments (and other honourifics) and the "erasing history" defence. I put together a charitable way of understanding the claim that removing monuments to ethically bad historical figures constitutes erasing history, and show how to respond while taking seriously the importance of the historical past. I use the context of John A Macdonald because I am hopelessly Canadian.

WINNING OVER THE AUDIENCE: HUMOUR AND TRUST

Forthcoming in the Journal of Aesthetics and Art Criticism

I examine the role of trust in stand-up comedy. I look at how stand-ups have to build the trust of the audience to get the audience to accept their jokes. This makes particularly good sense of ethically dubious humour, where the comedian has to convince the audience that it is permissible for the audience to participate.

 

TALKS DELIVERED

WINNING OVER THE AUDIENCE

About the importance of trust in both humour and stand-up comedy. I argue that humour depends, in part, on establishing a relationship between the humourist and the audience. The humourist must earn the trust of the audience for both that she is joking, and what she is joking about.

Aretai Annual Conference 4: Virtues, Media and Democracy

September 27, 2019, Genoa

THE POLITICS SATIRE MAKES

What should we expect from satire in terms of changing people's political beliefs? I expand from previous focus on mass media mock news to include a section on social media. I conclude that we shouldn't expect much in terms of changing beliefs, but that might just be because beliefs are the wrong place to be looking for effects.

LIKE HIM OR NOT: DEFENCES OF JOHN A MACDONALD AND HOW TO RESIST THEM

About the "erasing history" defence, and how to engage attempts to deflect from the admirability of historical figures.

Annual Meeting of the American Society for Aesthetics

October 11, 2018, Toronto

THE SOCIAL ACCOUNT OF HUMOUR

I offer a way of understanding humour as a social act. A look at the historical diversity of humour practice suggests that a social account is morely likely to be true than current pyschological ones.

PREACHING TO THE CONVERTED: SATIRE IN POLITICAL CONTEXT

I argue that mass media political satire should not be expected to change the minds of its targets. This is because the dynamics of mass media lead to mass media shows being delivered almost exclusively to people who already accept a show's ideological thrust. The targets of the satiric attack have little reason to care about the satirist's criticism.

HOW SATIRE CRITICIZES: THE SATIRIC TRIAD IN PHILOSOPHICAL PERSPECTIVE

A less refined version of the paper delivered the next year at MANCEPT

THE EMOTIONS OF HUMOUR: EMBARRASSMENT AS A PARADIGMATIC EMOTION OF HUMOUR

If humour is looked at as a social phenomenon, then it can be evaluated from the perspective of either the joker or the target. I argue that when approached from the perspective of the target, embarrassment and shame may be thought of as paradigmatic emotions of humour. If so, then potential humour acts may be evaluated as funny or not funny based on whether the target should feel embarrassed or ashamed.

INTENTIONAL MISREPRESENTATION IN DEPICTION

I use depiction as a base to give an account of intentional misrepresentation, and how to distinguish between the misrepresentative features of a picture from its merely representative-within-a-style features.

 
Typewriter Keys
 
This site was designed with the
.com
website builder. Create your website today.
Start Now